The world is a small place for old Herr Senft in his little garden house, and now that he has lost his dog and last companion, it's a solitary existence as well. Chance brings a young Afghan into his house, and in just a few hours it is transformed for both men into the cave of the Cyclops, with no escape for either. NOBADI, Karl Markovics's darkest story to date, focusses on the fragility of identity, the legacy of failure to act and the chances of the present moment.

... It's composed partly of longing and partly of fear. Karl Markovics talks about  his new feature film SUPERWORLD which is ready for world premiere at the Berlinale FORUM 2015.

«Roman is a day-release prisoner. He has something to take care of and must then return to his cell the same evening. What I was most interested in was this dramatic arc and the motif of movement it envelops. He moves from one area of social taboo to another, creating a field of tension where I saw a great deal of potential for a story. » Karl Markovics on his first feature film BREATHING.

«Die Figur des Sorowitsch ist sehr ambivalent, nach außen hin sehr berechnend, eher kühl und distanziert, oder sagen wir unverbindlich im Umgang mit Menschen. Ein Einzelgänger in seinem innersten Wesen, nach außen hin pflegt er natürlich schon Umgang mit Menschen, aber natürlich nur bis zu einem gewissen Grad, nur bis zur Außenseite der Innenseite. Was tiefer geht, lässt er nicht zu, auch nicht vor sich selbst.» Karl Markovics, Protagonist in Die Fälscher, über seine bisher größte Kinoarbeit.