FEATURE

Michael Haneke's CACHÉ:  Reviews – Cannes 2005

 

Michael Haneke is at his best with this unsettling family drama which should be an arthouse hit ... A master at controlling mood and emotion, Haneke shows such precision in his pacing and imagery that the audience is in the palm of his hand. Allan Hunter, Screen International A tightly plotted and paced thriller ... One of Michael Haneke's most watchable and pungent works ...

Deborah Young, Variety

 

Art and suspense merged ... Satisfyingly charged with political currents and disturbing ambiguities ...

Todd McCarthy, Variety

 

One of the most vital filmmakers working today ... Manohla Dargis, New York Times A chilling, paranoid, politically charged vision of modern dislocation ...

A.O. Scott, New York Times

 

Hidden is directed with the unblinking, unmoving eye of a surveillance video, and acted with power and subtletly ... Powerful and supple

Richard Corliss, Time

 

Sheer brilliance of execution ... Haneke mines a rich vein of issues to do with contemporary life: the repression of emotions and memories, social and economic oppression, the effects of celebrity, the erosion of privacy, the fear of the Other, voyeurism, responsibility, and conscience ... The film also succeeds superbly as gripping drama- it's suspenseful, witty, engrossing ...

Geoff Andrew, Time

 

Out Blood-freezing stalker nightmare ... Profoundly unsettling and superbly filmed,... Performances from Daniel Auteuil and Juliette Binoche are outstanding ... As with so many of Haneke's films, the resulting disquiet lingers in the bloodstream like malaria ...

Peter Bradshaw, The Guardian

 

A breathtaking film by a masterful, formidably intelligent director ...

Jason Solomons, The Observer

 

Formidably controlled, chilling and resonant ... Formal brilliance, thematic weight and compelling performances ...

Sheila Johnston, The Independent

 

Haneke's best work to date ... A brilliantly-controlled study of guilt that taps eloquently into contemporary neuroses ... Terrifically-scary study about those guilty secrets which pursue us ...

Derek Malcolm, Evening Standard

 

Splendid and breathtaking ... Rich in reflections on unseen childhood wounds, solitude against interior demons, the hurt of secrets in a couple, the way in which guilt eats away at a person, the revenge of the repressed ... The poignant personal drama takes on universal dimensions ...

Jean-Luc Douin, Le Monde

 

Refinedly sadistic ... Haneke titillates sadistically the sensitive points of contemporary society: obsession with security, the cult of individualism, bad bourgeois conscience and adjusted leftist ideals ...

Didier Peron, Libération

 

 

A fable on personal responsibility in regards to collective history ... A film blind of evidence. As mysterious and unfathomable as an endless nightmare ...

Pierre Murat, Télérama

 

Most outstanding film of the (Cannes) festival ...

Lars Olav Beier & Wolfgang Hobel, Der Spiegel

 

Haneke does not disappoint ... Haneke knows exactly what he's doing (with his shock scenes), and he does it gladly, because he wants to wake us up from our 100-year cinema sleep ... opens our eyes for a sharper perception of reality, even if it's not half as dark as the world of the Austrian director ...

Andreas Kilb, Frankfurter Allgemeine

 

The most violently discussed film on the Croisette ... Like a thriller-director Haneke sows the seeds of doubt ... Caché is set up like a painting by M.C. Escher, where all the apparently connected paths and stairs cannot at all be connected ... Haneke points openly to the logical gaps. With Caché (French for hidden), the gaps lead to much-discussed questions ...

Hanns-Georg Rodek, Die Welt

 

Electric, masterly ... Maurizio Porro, Corriere della Sera Haneke intrigues and disturbs ... Haneke rediscovers mystery and edge in one of his best works ... Haneke is a master at creating oppressive atmospheres, at suggesting the frightening, at contaminating the public with his characters' desperation ... Carlos Boyero, El Mundo A disturbing moral tale ... Assuredly and with economic means of expression, Haneke goes to the heart of each image, vigilantly observing the reactions of his main character ... Diego Galan, El Pais Disturbing ... A small masterpiece ...

Lluis Bonet Mojica, La Vanguardia